Someone recently asked about the origin of the ludicrous Monet/van Gogh reference. I don't remember who brought this up, or where, or when, so I'm responding here.
Everybody please swallow your coffee or whatever, OK? We all ready? It was
Jodi herself who introduced this helpful tidbit, during jury questions.
http://edition.cnn.com/TRANSCRIPTS/1303/06/ijvm.01.html
STEPHENS: Sustained. "Why did you plan on going to see John Dixon when you were on your way to Utah to see Ryan?"
ARIAS: John Dixon was a friend, although there was somewhat of an interest there. It was nothing that I ever let grow, because he wasn`t a church member, so it would be kind of a poor investment of my heart to get attached to somebody who is not a member of the church.
What I was going down there for is he had a friend who either owned a gallery or ran a gallery where he hung some of the greats such as Van Gogh and Monet. And when I told him I painted, he said, "We could make a space in this gallery for you. I could hang it right next to a Monet or Van Gogh." It sounded like a very big -- it sounded like a very exciting thing for me, because one of my goals at that time was to get my paintings into galleries.
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Oh, Jodi. This is what I love so much about you. You sound like you're chitchatting with someone in line at Starbucks even when you're testifying in your defense in a (potentially capital) murder trial! What a gal.
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I suppose she interpreted this question as a thinly veiled "*advertiser censored*" accusation, which it probably was. Never one to take the "less is more" approach, she just couldn't stop talking after "John Dixon was a friend," no matter how hard Willmott and Nurmi prayed to their god to pleeeeeeze make Jodi shut up. And so... we're off.
No reason for anyone to believe any of this, but who cares.
Romantic specifics, who cares.
"Church" specifics, who cares.
No one cares about what may or may not be a "poor investment" of her "heart" because obviously she doesn't have one.
It just so happens she had a super innocent, non-sexual/financial/alibi-related reason to see John Dixon
and it just so happens that this reason makes her look
awesome: John Dixon
knew a guy! Who
owned an art gallery! Or
maybe just ran one! (Jodi doesn't know and nobody cares.) This was a
great art gallery with
great art by great artists like Monet and van Gogh (who are two
great artists Jodi has evidently heard of). And I guess Jodi had talked to this guy before? And told him she paints? And
without even seeing her paintings he offers to hang her stuff in the gallery right next to a Monet! Or a van Gogh! Because that's totally how art galleries work.
So I guess maybe this is all somehow relevant, because why else would Jodi bring it up. She leaves out the part where she goes into any credible detail about the guy, the gallery, showing him any actual surface that she personally put paint on... none of which matters anyway because nobody cares.
What she
does want everyone to know, though, is that this
guy and this
gallery and this
offer were
exciting! Because she had this goal, see, at that time, of getting her paintings into galleries. Now she's in jail for something or other and it's totally getting in the way of her goals.
Nobody cares. Nobody believes her. And yet she just keeps talking....
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