imstilla.grandma
Believer of Miracles
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What we’re seeing now, we’ve seen before. Purposeful predatory serial killers like Gary Ridgway, John Wayne Gacy, Robert Hansen, Richard Cottingham, and Dennis Rader learned early to shield their darkest urges and acts. All had families and regular jobs. They developed deceptive façades of normalcy in order to live in their communities.
Psychologists refer to this behavior as compartmentalizing. Utah-based prison psychologist Al Carlisle, who’d spent a lot of time with Ted Bundy, proposed that the ability to repeatedly kill while functioning as a normal person develops through three distinct processes: fantasizing salacious scenarios, dissociatingfrom unpleasant feelings, and developing a knack for chameleon-like adaptation.
They have a fluidity of ego, often facilitated by narcissistic needs. The person has no investment in integrity and no commitment to a given persona. They can flip in and out of whichever one they need for a given circumstance. “It’s like an actor,” Carlisle wrote. “The actor creates within his mind the world of his character, and he can move around within the sphere of the character he is playing without losing the essence of the part.”
In other words, these covert killers can access the voice, mannerisms, behavior, and emotions of ordinary people as needed.
“The killer shifts from the pathological compartment in his mind back into the socially acceptable compartment, but he never completely leaves the theater in his mind.”
www.psychologytoday.com
Psychologists refer to this behavior as compartmentalizing. Utah-based prison psychologist Al Carlisle, who’d spent a lot of time with Ted Bundy, proposed that the ability to repeatedly kill while functioning as a normal person develops through three distinct processes: fantasizing salacious scenarios, dissociatingfrom unpleasant feelings, and developing a knack for chameleon-like adaptation.
They have a fluidity of ego, often facilitated by narcissistic needs. The person has no investment in integrity and no commitment to a given persona. They can flip in and out of whichever one they need for a given circumstance. “It’s like an actor,” Carlisle wrote. “The actor creates within his mind the world of his character, and he can move around within the sphere of the character he is playing without losing the essence of the part.”
In other words, these covert killers can access the voice, mannerisms, behavior, and emotions of ordinary people as needed.
“The killer shifts from the pathological compartment in his mind back into the socially acceptable compartment, but he never completely leaves the theater in his mind.”

Serial Killers and Their Secret Lives
Playing roles can shield predatory moves, but there still might be signals.