I understand the feelings on both sides of this issue. Many are trying to comprehend what drove Hale to such a dastardly deed and feel that answers may lie in the killer's manifesto, art, and other writings. I get that. I want to see those things, too.
But there's something more significant in play here. The Law Enforcement Center at Texas State University has adopted a
Don't Name Them policy, which makes sense. They take an academic and statistical approach to show how widespread coverage of a mass shooter's identity and reasons for their actions increases the risk of more copycat shootings.
I read an interesting and disturbing
interview by an Arizona State physicist who explains the problem.
As the Don't Name Them group says, in the US, we have freedom of the Press, so we can't enact laws that force the Press not to cover the events, but we can encourage them not to sensationalize. The push to end (or at least reduce) coverage of shooters is known as
No Notoriety, and it includes an admonition not to publish manifestos.
Law enforcement has said
Hale was influenced by other mass shooters.
"The killer studied previous mass murders while plotting the attack, he said.
This is another common trait among mass murderers, Ramsland said.
“They study other mission-based killers to learn strategies and avoid mistakes because they seek maximum impact,” she told Fox News Digital.
But, there is something beyond that: the Church where Hale went on the rampage does not want the records released to the public. That's what their intervention in the lawsuit is about. The parents of the slain children may simply want to reduce the risk of another tragedy, or they could be afraid something in Hale's writings will show them in a bad light. We don't know.
I would like to know what Hale wrote, especially now that the Church doesn't want the public to know. But, after reading about the "
contagion effect," I'm willing to
reluctantly forego reading the documents if keeping them private will keep from feeding another mentally ill person's sick desire for posthumous notoriety.