Brubeck
take five
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Splendid NYT obit for an interesting character.
Alan Abel, Hoaxer Extraordinaire, Is (on Good Authority) Dead at 94
Alan Abel, a professional hoaxer who for more than half a century gleefully hoodwinked the American public — not least of all by making himself the subject of an earnest news obituary in The New York Times in 1980 — apparently actually did die, on Friday, at his home in Southbury, Conn. He was 94.
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Long before The Onion began printing farcical news articles, long before the Yes Men enacted their first culture-jamming political pranks, there was Alan Abel. A former jazz drummer and stand-up comic who was later a writer, campus lecturer and filmmaker, Mr. Abel was best known as a perennial public gadfly, a self-appointed calling that combined the verbal pyrotechnics of a 19th-century flimflam man with acute 20th-century media savvy.
He was, the news media conceded with a kind of irritated admiration, an American original in the mold of P. T. Barnum, a role model whom Mr. Abel reverently acknowledged.
Today, in the internet age, anyone can be a Nigerian prince. In Mr. Abel’s time, however, the hoaxer’s art — involving intricate planning, hiring actors, donning disguises, printing official-looking letterheads, staging news conferences and having the media swallow the story hook, line and sinker — entailed, for better or worse, a level of old-time craftsmanship whose like will almost certainly not be seen again.
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more
Alan Abel, Hoaxer Extraordinaire, Is (on Good Authority) Dead at 94
Alan Abel, a professional hoaxer who for more than half a century gleefully hoodwinked the American public — not least of all by making himself the subject of an earnest news obituary in The New York Times in 1980 — apparently actually did die, on Friday, at his home in Southbury, Conn. He was 94.
..
Long before The Onion began printing farcical news articles, long before the Yes Men enacted their first culture-jamming political pranks, there was Alan Abel. A former jazz drummer and stand-up comic who was later a writer, campus lecturer and filmmaker, Mr. Abel was best known as a perennial public gadfly, a self-appointed calling that combined the verbal pyrotechnics of a 19th-century flimflam man with acute 20th-century media savvy.
He was, the news media conceded with a kind of irritated admiration, an American original in the mold of P. T. Barnum, a role model whom Mr. Abel reverently acknowledged.
Today, in the internet age, anyone can be a Nigerian prince. In Mr. Abel’s time, however, the hoaxer’s art — involving intricate planning, hiring actors, donning disguises, printing official-looking letterheads, staging news conferences and having the media swallow the story hook, line and sinker — entailed, for better or worse, a level of old-time craftsmanship whose like will almost certainly not be seen again.
..
more
