Meara
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View attachment 486286
I don't even think the credentials or history of Martin are important. I'm just using my own eyes. Even considering the different pens, paper, and scenario, plus the inevitable disguising, the link is definitely there.
Another thing, old Gary seems to have an odd habit on the words receive and deceive. All the c's and e's in the middle get confused and they just look the same
View attachment 486288
Nice work on the graphic. If only it were that simple! General appearance is not a safe guideline for handwriting comparison. Different handwriting samples can appear very similar but, on closer inspection, prove to be quite different. Let me show you what I mean.
- The blue "A" is written all in one stroke, with the writer coming up from the downstroke on the right to make the crossbar in the middle without lifting the pen. The black "A" is written in two strokes, with the writer forming the up and down strokes in one movement, then lifting the pen to make the crossbar. In other words, the two letters may look similar, but the mechanics of their formation are completely different. The mechanics are the ingrained physical habits of the writer, so it's the mechanics/habits we need to look at to see the writer.
- The "r" in the blue "letter" has an initial downstroke, and the top curve splits off from it at a wide angle. In the black sample, there is no downstroke. The letter begins at the baseline and continues in one stroke up to a smoothly rounded curve at the top.
- The main thing that distinguishes one "w" from another is the way the base is formed. The blue "w" is formed with curved lines (loops) at the bottom. The black "w" is formed with points at the bottom.
- The main thing that distinguishes one "t" from another is the crossbar. Many variations are possible, involving position, length, curvature, number of strokes, and so on. The crossbar in the blue writing is consistently made in the center of the downstroke. The crossbar in the black writing is made above the midpoint of the downstroke. In the word "this," there is tapering. The crossbar begins firm, then becomes thinner and weaker from left to right. In the larger sample provided earlier, I didn't see any tapering.
This is by no means a thorough comparison, just an explanation, using your examples, of some significant differences in the two handwriting samples.
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