GUILTY France, Dominique Pélicot, drugged wife of 50 years nightly, filmed rape by at least 51 men, 2011-2020

  • #661
Feel free to laugh at me after reading this! This has to do with the play about the Pelicot trial and my confusion about the wording used in the first article I read.


Quoting from the article:
The play,
set inside a 14th-century Carmelite cloister
,
lasts three hours and uses real transcripts from the trial
as well as police files, social commentary and psychiatric reports.

I’m laughing at myself for being so literal. Ever since I read about the play “The Pelicot Trial: Tribute to Gisèle Pelicot,” I’ve been quite puzzled. I haven’t been able to figure out how the play could be “set inside a 14th century Carmelite cloister.” The “setting” of a play is an integral part of the play, describing where and when the action is taking place, and that setting has an influence on the play. I cculd NOT figure out how setting the play about the Pelicot trial in a Carmelite cloistered convent could possibly have any relevance to the trial. And besides, Carmelite nuns spend most of their time in contemplative silence. How would that fit?

In my feeble defense, I live in a town with a live theatre festival, so this sort of wording definitely didn’t make sense to me. And I’m probably the only one here it would bother. I just had to get to the bottom of it. As the link below describes, the play is staged in the open air Carmelite cloister which seats 500 people. That is the theatre where the play is performed! What a difference a word makes, and what a relief. It is not set in a convent, thankfully not adding some kind of obscure symbolic imagery to the play about the trial. No silent nuns are involved in the play. You can laugh at me now! I can take it! 😂🤣 All humor aside, it sounds as if the play has captured the intensity and meaning of this horrible case, as well as the courage of Giselle.

Quoting from this article:

The performance is made up of staged readings of extracts from the trial, police files, social commentary and psychiatric reports. It looks at the 51 convicted and the question of how these men, including a nurse, a soldier, a journalist, a prison warden and delivery drivers, aged from 26 to 74, could travel to Pelicot’s home to rape her. More than 50 performers will read extracts from the trial, and those on stage will include a psychiatric expert from the case and court artists who were present at the trial.

Rau said it was important to stage the theatre piece in Avignon, where the trial took place and where crowds had gathered outside the court daily to cheer Gisèle Pelicot, and where the city walls were plastered with her quotes. It will be staged in a 14th-century open-air Carmelite cloister, with seats for 500 people, as part of the city’s renowned theatre festival.

BBM
That's exactly how I interpreted it as well, and I wondered how realistic it could possibly be if these 14th century nuns' spoken lines were taken verbatim from the modern-day trial transcripts! Not to mention the problem of them being women who live in silence for the most part, as you also pointed out. Thanks for sharing what you found out... makes a lot more sense now!
 
  • #662
It’s a tragedy worthy of Shakespeare with no easy answers.
I picked up on this line of your comment especially, because I was thinking it's even more like a Greek tragedy than Shakespeare, because it's all this betrayal between such close family members, and it's that intimacy that multiplies the horror.
 
  • #663
Complete speculation, imo.
Wondering if there is another layer to the rift between mother and daughter, one neither dare to acknowledge or question?
Delicately and respectfully as possible - if it is true that DP also assaulted CD, would that suggest it might be prudent for all members of the family, to have DNA tested?

I don't understand. Can you spell it out for me please?
 
  • #664
That's exactly how I interpreted it as well, and I wondered how realistic it could possibly be if these 14th century nuns' spoken lines were taken verbatim from the modern-day trial transcripts! Not to mention the problem of them being women who live in silence for the most part, as you also pointed out. Thanks for sharing what you found out... makes a lot more sense now!
I’m so glad I’m not alone! 😊
 
  • #665
I picked up on this line of your comment especially, because I was thinking it's even more like a Greek tragedy than Shakespeare, because it's all this betrayal between such close family members, and it's that intimacy that multiplies the horror.
I take your point. Living in a town with a renowned Shakespeare Festival, I’m more oriented in that direction. The tragic play “King Lear” came to mind, but I’m sure there are Greek tragedies that are a closer fit in terms of the depravity and betrayal.

I just hope the whole family is receiving some kind of trauma-focused counseling.
 
  • #666
I don't understand. Can you spell it out for me please?
I think OP is suggesting that the daughter might be the product of one of the stranger rapes. Which we have no evidence either way for, and I don't think it would be victim friendly to speculate further.

MOO
 
  • #667
I think OP is suggesting that the daughter might be the product of one of the stranger rapes. Which we have no evidence either way for, and I don't think it would be victim friendly to speculate further.

MOO
Not speculation about paternity regarding the daughter's father, but will leave it at that.
 
  • #668
IMO!!!

DP seems to suffer from sexual deviancy - voyeurism - over which he has no control.
That is why he suggested "swingers' relationship" to the wife.
When she declined, he did it his way.
He is sick in the head.

I mean,
he probably cannot get satisfaction any other way.
That is why I think he restricted himself to watching & recording to watch later.

But, mind you,
this is only my THEORY

as I'm neither a sexologist
(a specialist who treats issues such as sexual dysfunctions),
nor a psychiatrist :rolleyes:

JMO
I fail to see how he “had no control” over it. He just didn’t WANT to stop.

Otherwise, we could argue that all criminals are victims who had no control over their actions.
 

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